Showing posts with label Artwork. Show all posts
Showing posts with label Artwork. Show all posts

Wednesday, January 11, 2012

Art...and like fame...and stuff.


from The Real Cindy Sherman in Harpars Bazaar...

...Last spring, Sherman's Untitled #96 (above) sold for $3.9 million, then the highest price ever paid at auction for a photograph. She says she was gratified that a photograph of hers set an auction record but also not surprised. "I felt, well, it's about time," she says. "Not that I feel it's worth that much, but so much other photography by men has been hovering in that range. I have to say I'm competitive: 'Hey, what about me? I'm in that same realm of fame as those guys.'"

Rhein II by Andreas Gursky, now the most expensive photograph ever sold at $4.3m

from Why is Art so Damned Expensive? in Newsweek/TheDaily Beast...

...“If I can’t sell something, I just double the price.” That’s what Ernst Beyeler, the great Swiss dealer who helped found Art Basel, reportedly said. Some people actually prefer to pay more than makes sense. Zelizer explains that, in all walks of life, we treat the biggest sums differently, with special respect or even awe, than more everyday money. “I think very often the price paid for a work is the trophy itself,” says Arnold Glimcher an art dealer.



Tuesday, July 13, 2010

Everybody's Talking About...


Jon Rafman's 'Google Street Views'. And well they should be too. Somewhere in last interview with the late Dennis Hopper published by Vanity Fair he stated something along the lines of 'it being the artist's duty to document his own time'. Never a truer word could be spoken and Rafman's work is a perfect example.









Thursday, April 1, 2010

Bare Bones Innit



If you happen to be in Laaaandan town today, the latest installment of mercurial scribbler Harry Malt's 'Bare Bones' magazine and gallery get down is opening at the Neu Gallery tonight at 6PM.

'S on Redchurch St. 'innit.

Be sure and bring your face so Harry can draw it. Live.

Already banned by the V+A, Bare Bones is a show and a limited edition magazine on newsprint, staged and published on a quarterly basis, each one drawing artists, photographers and hangers on from all over the globe to publish and exhibit.

Artists? Doin' it for themselves? Yes we can!

It's the kind of self-determination Obama himself would be proud of. Harry for President!

Big props to Niall O' the BB crew for selecting this print for the show.

Ross McDonnell, 2006

Wednesday, February 24, 2010

Eggleston, Album Art, Plagiarism

While loitering in Dublin's Road Records my eye was drawn to the new Spoon record 'Transference'. It was pointed out to me that it was an Eggleston shot on the cover and my brain gave a little smile of recognition that once again the southern master of the mundane had succeeded in catching my attention.

Spoon/Transference. Image: William Eggleston, Sumner, Mississippi, 1970

Eggleston's work is ever popular among musicians for album artwork and just as I thought it would make a interesting post to gather them all here on Milky Blacks, up pops the blogosphere and gazumps me. Shazaam!
This post by Blake Andrews has a run down of all of the Eggleston related artwork that he could dig up and discusses the images used. Kudos to Blake for great minds thinking alike! I'm posting the records he dug up below.

Why do Eggleston pictures affect us so?

They don't tell us what to think I guess...

They just are.


Radio City, Big Star, 1974

Alex Chilton, Like Flies on Sherbert, 1979

Big Star, Live at Missouri University, 1993

Gimmer Nicholson, Christopher Idylls, 1968/1994

Green on Red, Here Come the Snakes, 1989

Primal Scream, Give Out But Don't Give Up, 1994

Primal Scream, Country Girl, 2006

Primal Scream, Dolls, 2006

Robin Holcomb, The Big Time, 2002

Jimmy Eat World, Bleed American, 2001


Paramount Pictures 90th Anniversary Memorable Songs, 2002

The Derek Trucks Band, Soul Serenade, 2003

Chuck Prophet, Age of Miracles, 2004

Silver Jews, Tanglewood Numbers, 2005

Joanna Newsom and the Y Street Bank EP, 2007